Jordan Grace Owens turns sketches and snapshots into handmade wonders. "A lot of themes in her work are derived from her affection for early-to-mid-century style art, music, film and design. She's a real sucker for a well-loved special vintage find, and she wants to give that same sense of quirky personality and preciousness to the items and images she makes."

see more at www.jordangrace.com

An installation of new paintings by Chris Milk Hulburt. Chris's bio summarizes him and his work beautifully:

"I paint the little things that I love.
The minutes in between.
And,
for better or worse,
I taught me to paint.
So.:

See more of his distinctive creations at www.chrismilkhulburt.com 

This is Canadian-based Suzanne Carlsen's first solo exhibition in America. She explains, "Playing on our expectations of what jewelry is, presenting fresh ways of thinking about ornament, value and recognition - my work is void of the typical diamonds, rubies and pearls. I balance hand embroidery and metal to present social symbols in unusual garb That which appears, upon first impression, to be merely a cute miniature, ultimately reveals itself to be an icon of memory, commemorating our surroundings, imitating our everyday life, and questioning our traditional ideas of home and place."

 Anthony Tammaro shares, "My inspiration comes from jelly fish and cephalopod like creatures. Their soft bodies have the ability to flex and undulate while they float freely in their undersea environment. The bilateral body symmetry exhibited by these forms has led me to use a balanced odd and even numerical approach to my design decisions." His works redefine wearable, art, and creature by intersecting and transforming all three into couture jewelry.

See more at anthonytammaro.com

A beautiful collection of hand raised cups and spoons by Richmond artist Marion Sak.  Hand raising is the process of forming an object, such as a hollow vessel, from a flat sheet of metal by alternately hammering and annealing. 

About the Artist:
Marion Sak received her MFA in metal design from East Carolina University in 2007 under the instruction of Robert Ebendorf and Linda Darty. She also holds a BFA in jewelry and metals from the University of Georgia. Marion taught metals in the school of art at East Carolina and received multiple grants, scholarships and awards. She was the first person from Georgia to procure the academic common market scholarship for an MFA in metal design from North Carolina. Marion has also studied at the Penland School of Craft in North Carolina since 2002 and has assisted Kiwon Wang at Penland. She is currently an independent studio metalsmith with plans to reside in North Carolina.

Artist Statement:
The beauty of the metal itself and my obsession with the hammering process inspire the work i make. as a metalsmith, i explore metal forming techniques where kinetic energy leaves its hammer mark upon the metal. i am free and open as i hammer and i watch the form evolve, responding to the way the metal naturally wants to move and really enjoying the marks made by my hammer. the remnant is intentional and the reflection of light upon this patterning achieves the surface design that i desire in my work. when creating adornment for the body, i am drawn to the neckline and seek to illuminate the face. i create my work by forging silver and other metals, using fluid marks on the surface to emphasize reflected light.

Incredible mixed media works by Oura Sananikone will fill the vault. He has combined color, material, fun and funk in forms from t-shirts to plush toys to paintings. The man behind the tree sweater you may have seen in front of Quirk or around town, his work is sure to intrigue.

Aaron McIntosh explores stereotypes surrounding sexual emotions and identities. As he describes, "Sourcing romance novels, erotic magazines, personals ads and text messages, I extract miscellaneous and ambiguous bits of sexual language and symbolism and piece together drawings, collages and textile objects that subvert the original messages and context. Deconstructing these cultural signifiers opens up gaps in which I can reconstruct my own complicated narrative as a nerdy Appalachian queer guy. Manifested as a multi-layered collage of text, images, patterned cloth, personal clothing and found materials, these saturated works question our larger social constructions of normality and abnormality, pleasure and disturbance, high and low culture, as they pertain to ideas of love, romance, sex and sexuality."


www.aaronmcintosh.com

 Fascinated by the traumatic, Andrea Keys Connell's work combines the real, the dream and the nightmare into one. Merging the conscious and unconscious she questions the meaning of individualism, family, and collective culture and references the Social Realist Monuments and Hummel Figurines with their idealization of children/childhood.

"By portraying a glimmer of thought, a change in gesture or aim, the line between fantasy and reality is burred even more. By conveying the sense of the conscience in otherwise unconscious figures, I hope to stimulate pathos between the character's situation and the viewer."

An installation of larger than life sculpture that gives a nod to architecture and reconstruction.

Susann Whittier is a professional artist and teacher. Holding a BFA in sculpture from VCU and an MFA at Maryland Institute College of Art, she has shared her knowledge with several different art organizations in Richmond including the Appomattox Regional Governor's School, the Virginia Museum of Fine Arts, and the Visual Arts Center.

She works with unusual materials to provoke thought, and questions about the ordinary and the relic. She cuts up and rearranges the discarded to ask why? and to remind us of the fleeting and transient moments that are the reality of life.

http://www.susannwhittier.blogspot.com/  

Jane Harrison's work is inspired by memories of a child love of the linen closet. "My activity there was solitary and intimate, as I designed and re-designed imaginary places. These places related to my connections to everyday life, the past, and to those I loved. It was a creative activity in which I was unconcerned about the usefulness of the space or the meaning of the results; however, in retrospect I realize I was playing with color, shape, placement, harmony. My arrangements always ended with space for me too. I never organized the tiny space from without, but I remained within the composition."

Her works combine different materials and meander through a maze of thought, texture and emotion, beckoning the viewer into their own linen closet.  

Enter the reprieve that Aimee Joyeaux’s exquisite birds create. Joyeaux’s fascination with the winged creatures is both “sentimental and symbolic” as the birds alert one to danger and assuage one's fears. As Joyeaux explains:

“Like the canary in the coal mine, birds can be warning lights to environmental danger. Many of my birds have long legs to equip them for rising sea levels. The wrapping of fabric strips used in their construction is a kind of obsessive behavior that soothes my anxiety about things like the oil spills and the melting glaciers. I make flocks of them at a time so they have company. Art making is a way for me to process what I see and read and hear. I try to make beautiful things to assuage the scary things that the 24 hour news cycle won't let me forget”

http://web.me.com/ajoyaux
www.ourhouseinfrance.com 

These drawings are all versions of tattoos that Meg J. Roberts could probably never commit to. She has stories and reasons for choosing each animal (which we will not go into) but basically, they fall into two categories.
1) Those she has actually interacted with in her backyard or around the marshes and rivers of the Chesapeake Bay.
2) Those that she hopes to see some day. For now, she will settle for seeing them in dioramas at the Museum of Natural History.  

Thumbnails of a life in color. A collection of pen and ink drawings embellished with colored pencil that reflect moments in the artist's life.  

 An installation of new drawings and mixed media sculpture.

A suspended installation of soft sculpture by Richmond artist Melody Gulick.

An exhibition of cast glass vegetables from the artist's garden. Materials: Pate de Verre (cast glass) pieces, cilored pencil on wood

Sayka Suzuki is intrigued by the beauty of forgotten curiosities. She breathes new life into decaying and otherwise abandoned objects, adding bright possibilities to the worlds she finds and we all encounter. "Alongside these notions of decay lies my hopefulness - by reincarnating the forms in cast glass, and challenging the way people see the forms, I investigate the possibilities as I rediscover forgotten histories and lives. My work captures my process of remembering and celebrating while simultaneously imagining our capacity to function as philanthropists." 

Administrative Director & Assistant Professor in VCU's Department of Art History, Cindy Myron works in metal to create works of wonder. Uniquely twisting metal into both strikingly simple and elaborately ornate designs, she challenges the medium itself, turning sculptures into jewelry and vice versa. Her jewelry is part of Quirk Represents, Quirk's collection of innovative wearable works of art.

This month's Vault project is an installation of new jewelry by Marlene True. Marlene uses sterling silver mixed with found materials such and tin cans and plastic bottles to create completely unique brooches, pendants and earrings. 

The Vault Project installation this month is by Matthew Szosz, the VCU Craft & Material Studies Resident.

Matt Szosz is the first emerging VCU Craft & Material Studies Resident, sponsored by the Fountainhead Development. Fellows are selected based on their innovative use of materials and ability to expand the definition of craft in their work.

This installation will run from 7/7-7/24 

Nicole Baumann embraces the small things. Her carefully stitched paper creations ask us to remember the intangible, the small, the everyday. A playful mix of imaginative and nature, hr delicate images are carefully constructed compositions. Nicole is inspired by memories and relationships noting, "The recollection of familiar scenes and sentiments allows the imagination to interpolate information that may be missing as a result of passing time, thus causing a past experience to be corrupted by recollection. " A graduate of VCU where she earned both her BFA and MFA in Crafts and Material Studies, Nicole's work is widely exhibited and has earned her a Professional Artist Fellowship from the Virginia Museum of Fine Arts.

Self described as "A Kinetic Learner", Vilkas D'Angelo-Horvath has been practicing art since graduating Cum Laude from VCU in 1997. Earning two BFA's in 5 years, one in Painting and one in Sculpture, D'Angelo-Horvath integrates digital and traditional media to create fantastical designs.  

Serena Pelissier grew up in a family of artists, but her own appreciation of visual art began when she was in college where she concentrated on foreign language. Pulled toward the studio arts she began drawing then painting. Now she creates compositions in textiles and paper. "The aim is to capture subtle mood, memory, and unabashed nostalgia, through color combinations that surprise, delight, and perhaps reach deep inside us." 

In between hope and desperation “my country loves me and some day I'll be president” tells the story of the those who are treated as disposable humans finding strength to hope for more than what is expected of them. 

The 2010 Vault Project kicks off with intriguing work by Tyler Payne. Payne's work elicits a sense of emotion and motion. The cross hatchings and frantic lines both invite you in and push you out.

Pam Shelor uses oils, oil pastels and oil sticks and beeswax to create visual relationships between images. Her works are created through a layering process of adding and removing, drawing and erasing, ultimately weaving together in a beautifully textured montage.

Jenny Mendes has exhibited her whimsical sculptures, ceramics, tiles, and jewelry nationally. For the past three years, she has been a resident artist at the Penland School of Crafts in North Carolina. Her distinguished fantastical characters and faces are mysteriously alluring. You may have seen her bowls featured in Quirk's shop in the past; come see what she has installed in the Vault.

An image can evoke sound. A smell can call up a memory. Touch can speak of emotion. Through repetition and variation we understand the rhythm and cadence of making, of giving form to our idea. How we translate and recombine these beats gives us our own meaning and structure: connecting form to form, eye to hand, light to shadow, and form to void.

Just as the cup is both half full and half empty, there is more that one side to any story, more than one answer to a question. I can pick up the cup to drink or I can explore the undulating line and volume.

As I transform the clay into different shapes, I am challenged to express the duality of my material—that it is at the same time hard and soft, rigid and flowing. That it can suggest clay and fabric and metal is a part of the challenge and excitement of creating. The resulting pieces works, constructed of fixed and mutable components draw me through unexpected doorways even as the work itself moves across the wall or is stacked upon a pedestal.

My forms become bricks and windows, fabric scraps and building blocks. They can obscure or reveal. As forms can meander along the wall and my eye can explore space both within and around. These components frame a story and are a story in their own right---a language spoken in three dimensions.