Molly Spell Artz of Spell Garden Design by Quirk Gallery

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We are so thrilled to welcome our next artist Molly Spell Artz of Spell Garden Design to Quirk for our Garden Arrangements Workshop! In this workshop Molly will go over how to source from your garden while incorporating outside elements from local markets. We are so looking forward to spending this time making beautiful arrangements, learning all the tips and tricks, and taking in as much as we can from Molly's knowledge from landscape design to garden maintenance and more!

Quirk Gallery: Can you tell us a little about yourself? 

Spell Garden Design: I’m a garden designer living here in Richmond. I’m also mother of a three year old and love spending time outside in my own garden, cooking and hanging out with my three pet ducks. 

When did you start your company Spell Garden Design

I started my company last year after doing garden design, maintenance and installation for a few years. I decided using my art background might be a chance to stop wheel barrowing loads of mulch up and down hills. Though I am quite diesel. I still maintain a few gardens, mainly as an excuse to play in the dirt. 

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Working within the horticultural and design field is something that runs in your family - your father Bill Spell was a renowned landscape architect. How did this affect you growing up and inspire your current style with Spell Garden Design

I have always been so proud to be my father’s daughter, but it wasn’t until he was gone that I was truly able to appreciate his work. My dad was a total boss. He designed the plaza around the Kugel Ball in front of the Science Museum of Virginia, which is probably one of the coolest projects that I get to enjoy whenever my son and I go there. I think my style is still being developed, but I’m way more into perennials than my dad was – he was a woody plants kind of guy. I want to introduce more plants that cover the ground so weeds can’t thrive, all while blending various shapes, textures and blooms throughout the seasons. I also try to consider pollinators and birds when choosing plants, and I hope that my designs will inspire other gardeners to do the same. 

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What are the projects that currently excite you the most? Workshops? Full scale redesign of gardens, yards, etc? 

I really enjoy garden consultation. I love going into a garden and problem solving to begin coming up with a plan to enhance a space. When a consultation turns into a design is always really exciting too! 

 Garden Design done for clients featured in Modern Richmond 

Garden Design done for clients featured in Modern Richmond 

 Garden Design done for clients featured in Modern Richmond

Garden Design done for clients featured in Modern Richmond

Can you talk a little bit about why you want to teach this workshop? 

One thing I really love about having a garden is bringing bits of it inside over the seasons. We always have something from the garden to enjoy on the dining room table. Usually I focus on interesting foliage from my garden and throw a few blooms in that I feel like I can spare. But I’m also really excited about the flux of cut flower farms I’m seeing in and around Richmond, and am hoping to incorporate some of these gorgeous blooms into the arrangements we’ll be making in the workshop. I think this workshop will be helpful for anyone who wants to get creative arranging with cuttings from their own garden (or friendly neighbor’s) and learn which plants can be used to enjoy both in the landscape and inside the home.

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What is next for you and Spell Garden Design? 

More garden design! I’m looking forward to seeing more of my designs installed and to watch them mature. And more collaborations. With owning a business, I feel like I’m suddenly part of this awesome club of small business owners, and we are finding ways to work together. Keep an eye out for projects with local makers and growers! 

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To sign up for our Garden Arrangements Workshop call the gallery and secure payment! (804-340-6036) 

SPRING by Quirk Gallery

With this up and down weather we are ready to welcome spring. This is your perfect spring soundtrack to take a drive with the windows down somewhere warm and in bloom. 

Follow us on Spotify for more playlists. Keep an eye on our Instagram, Facebook and Twitter for music updates! 

Kate Koconis of Little Black Sheep Studio: Weaving Workshop Series by Quirk Gallery

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Quirk Gallery: Hello again! As a refresher for anyone who didn’t see our last blog post with you, can you tell us a little about yourself?

Kate Koconis: Hello! Let me introduce myself, my name is Kate Koconis. I am the sole person responsible for Little Black Sheep Studio. I design and make everything out of my home studio in Providence Forge, VA. As long as I can remember, I’ve been interested in making things. I grew up doing every arts and crafts project you can think of and was especially drawn to the fiber arts. I kept coming back to yarns, fabrics and other very tactile materials.  When I discovered weaving, it was a game changer, I fell in love with the craft immediately. I loved every step of the process, I loved the materials, I loved the finished product, I loved everything about it. I’ve now been weaving for over 10 years, and still enjoy it just as much as that first time.  My main focus is hand making fiber goods for you and your home. Handmade items are so special. When someone takes the time and effort to make something with passion and love, I think that shows and makes the item so much more than just a whatever it is. It becomes a memory and a feeling. I get such joy from and have such a love for the things I create, and my hope is for that feeling to transfer through the pieces to whomever is interacting with them.

  Inside Kate's home studio in Providence Forge, VA

 Inside Kate's home studio in Providence Forge, VA

 

This will be your second workshop at Quirk, the response to your first was amazing. How is this similar and how is this different to that first one? Do you think you’ve responded to the interest level of the community?

I was so thrilled with the response to my last workshop. Who knew there were so many people who were interested in weaving?  Since that workshop I have had a lot of people asking me when I was going to do another one, and I’m so glad I can help fulfill the desire for those who want to learn. I had never taught a group of people before and it was a little bit daunting of a task, but I loved it. I had so much fun sharing this wonderful craft with people, and I think they had fun too. This workshop is going to be very similar to the last. I’ll be going over the same basic steps and how to’s of weaving. I did learn a thing or two from the last workshop though. Like anything, the more you do it the better you get. I’m excited for this next workshop since I’ve made a couple minor changes to my lesson, hopefully to make things easier and more streamline. I’m also very excited for the advanced workshop where we’ll be going over shapes, and how to get a little more intricate with your designs.

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Recently you’ve been experimenting a lot in the studio with embroidery and new weaving techniques. How do you decide what projects to focus on, when do you know if something new is working and a direction you would like to follow?

This is a tough question, there are so many different factors that go into why I make, and I don’t really have an exact system for the decision. It is partly a creative and partly a business decision. While I love going down a new idea rabbit hole, I also need to consider what things are in demand. For this reason, I usually have multiple things I’m working on at once. I’ll be working on experimental projects at the same time as production pieces. Things get really cool when these two meet. My new embroidery pieces are a good example of that. They started out as me wanting to try something totally new just for fun, and ended up being one of my favorite new pieces. I have a long list of things I want to make and I am checking them off one by one, it’s just a matter of finding the time. Creatively I get inspiration from all over the place, a lot of the time it has to do with a pattern, a material, or a color. While I’m weaving is when I get most of my new ideas. I’ll be working on a piece with a specific pattern and want to make that pattern with a different material, and vice versa, or I’ll want to blow it up in scale. I am constantly asking myself how I can make things better or more interesting, and that drives me to always be moving forward. I am using very traditional techniques, but I try to keep finding new and exciting directions to take them in. I know I am going in the right direction if I enjoy it so much I want to just make more, and I’m excited to make more. I’ll want to change color schemes and sizes of course, but if I don’t want to change anything involving the materials or process, then I know I’m on to something. It helps if those things sell too, after all this is a business, but me being excited about them is more important.  I know if I’m not passionate about a new idea, it’s not going to work out. 

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I’ve had the pleasure to see you at local farmers markets with Amy's Organic Garden, and you’re always doing something within the community, always creating. What projects and businesses are you currently working with that you’re excited about?

I’m trying to get out there and get involved with as much stuff as I can. Right now I am focusing primarily on holiday markets as it’s that time of year.  I’m participating in more this year than ever before. It’s my favorite time of year, I absolutely love going to markets (farmers markets and craft markets). It is so nice getting to meet and talk with people about my work, and also getting to meet other makers.  It’s always so uplifting and enjoyable. Richmond really does have so many amazing talented folks and I am thankful to be able to be a part of this community.  Also this year you can find LBSS products all around town. You’ve been able to find my hanging planters at Addison Handmade and Vintage and weavings at Quirk Gallery for a couple years now. This year I have added Rosewood Clothing Co. and MADE which is a holiday pop-up store in Carytown, to my list of stockers. I’m always excited to support and partner with small businesses in town. Richmond has such a wonderful community that supports it’s own, and I think that is really cool. I know I don’t exactly live in Richmond, but I have that feeling of belonging to it that is just really nice.

 A look inside Rosewood Clothing Co. 

A look inside Rosewood Clothing Co. 

 The greenhouse for Amy's Organic Garden that grows and sells vegetables, small fruits and cut flowers on their organic farm in historic Charles City County, VA.

The greenhouse for Amy's Organic Garden that grows and sells vegetables, small fruits and cut flowers on their organic farm in historic Charles City County, VA.

What is next for you? Little Black Sheep Studio?

As for me, well anything is possible, we could potentially be adding a horse to the list of animals we have (update: we have added a horse). That or baby goats, you never know around here.  I also have a few home renovation projects I would like to get done this winter. I’ll be still working with Amy’s Organic Garden of course, so you’ll still be able to find me at the Birdhouse Farmers market every Tuesday in Richmond, and in Williamsburg every Saturday.  I love working on the farm, and that is not going to change. As for Little Black Sheep Studio, I would love to get more involved in teaching more workshops/classes around town. That is something I never thought I would like to do, but now I know how rewarding it is and want to just keep it up. I’ll also just keep making, following my whims and experimenting. I’ve had some plans for some new wearables, I may have time to test out this winter, fingers crossed. Lots to do, so little time. 

 

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To sign up for the workshop give us a call at 8043406036! 

$50 per participant per class includes three hours of instruction and your very own hand crafted weaving. Introductory and advanced classes are still available, if you have any questions give us a call or you can email us at emily@quirkgallery.com!

Introduction Class - SOLD OUT

January 27th, January 28th and February 3rd from 12 pm - 3 pm

Advanced Class

February 4th from 12 pm - 3 pm 

Look at our event page for more information!

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Clara Cline of The Wild Wander by Quirk Gallery

 
  Tin type of Clara Cline at   Tredegar Ironworks, Richmond, Virginia. 

Tin type of Clara Cline at Tredegar Ironworks, Richmond, Virginia. 

As a preface to this post we would like to thank everyone who signed up for Clara's workshop Brush Lettering A Quirk Workshop! We are officially sold out! We look forward to seeing everyone who signed up for the workshop and hope anyone who was not able to sign up will join us for our next workshop. To stay up to date with announcements of new workshops follow us on our Instagram!

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Quirk Gallery: Can you tell us a little about yourself?

Clara Cline: Sure! My name is Clara, and I'm an illustrator and letterer living here in Richmond. My work is generally pretty focused on natural history, so it ranges from wildlife, to maps, to more ephemeral curiosities that I come across. Outside of work my interests are pretty much the same - I love spending time outdoors, combing through antique stores and museums, and I'm a little bit of a packrat - I can never get enough of old stuff.

 Photo by Shannon Pierce

Photo by Shannon Pierce

Quirk Gallery: How did you start doing brush lettering?

Clara Cline: When I first began illustration as a livelihood I started out with a line of greeting cards. Because I was on a shoestring budget and I didn't like any of the fonts I had on my computer, I started lettering the words on the cards as a workaround. I ended up becoming really captivated with the art and science behind lettering, and brush lettering is a particularly unique challenge and in some ways exception to the normal rules of lettering. It's a lot looser, more expressive, and shows more of a personal hand than some of the more traditional forms of lettering. I can get caught up in the structure of letterforms, so practicing brush lettering is a good way to loosen things up and get more creative.

 Cline testing various types of lettering and paper 

Cline testing various types of lettering and paper 

Quirk Gallery: Your company, The Wild Wander, features illustrations, printed pieces and has a big emphasis on naturally sustainable materials. How does brush lettering fit in with your company The Wild Wander?

Clara Cline: My work definitely has a nostalgic bent to it, and hand lettering is a huge part of that. When you look at old signage, old advertisements, it was almost always hand-lettered by someone, and it gives a unique characteristic to the letters that you simply don't get with type.

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Quirk Gallery: Prints and towels like Flora and Fauna show you drawing from agriculture and wildlife of Virginia. What are other inspirations for your work?

Clara Cline: I feel very lucky to live in Richmond because there's no end of inspiration around me - from the landscape to the history, it's just a really rich environment. I sometimes feel like I'm a little bit all over the place in where I pull inspiration from, but I think there's some continuity in that it usually stems from a love for antiquity. In Victorian times there was a huge surge of interest in natural history and the sciences, and it became a popular hobby for amateurs to keep little collections of artifacts and catalog phenomena. I think that's probably the most accurate description for what I do - it's grounded in an appreciation for science and history, but curated in a more whimsical way.

  A hand-illustrated letterpress chart detailing flora and fauna native to the Great State of Virginia.

A hand-illustrated letterpress chart detailing flora and fauna native to the Great State of Virginia.

Quirk Gallery: What is next for you and your business?

Clara Cline: I have a one year old daughter so that's definitely changed things quite a bit for my work! I'm still in the process of learning how to work with a toddler, but in many ways the lack of time has given me more focus and direction with my work. I've started to return to more detailed paintings and illustrations, which I haven't done in a long time, and I've been working on a series of sort of Audubon-inspired watercolor birds. I'm always looking to stay inspired and keep adding to my body of work, and hoping everything else follows.

 
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 An original illustration of a  cardinal perched on a dogwood branch.

An original illustration of a cardinal perched on a dogwood branch.

Thanks to everyone who signed up for Clara's workshop Brush Lettering A Quirk Workshop! We are officially sold out!

*We do not offer a wait list for sold out workshops, but keep checking in for our future workshops and sign up for our newsletter and make sure to follow us on instagram to learn about everything new at Quirk!*

We are so pleased to welcome back Clara Cline for Brush Lettering: A Quirk Workshop! Join Clara Saturday, November 18th from 2 PM - 4 PM for her second brush lettering workshop with us. In this workshop Clara will go through the fundamentals of creating great lettering and teach tips and tricks for working with brushes. From Clara's Instagram The Wild Wander: I don't post quite as much lettering content on here anymore, but it's still very much the bread & butter of my work, and a subject I'm excessively enthusiastic about, so I'm very excited to be teaming up with Quirk Gallery to host a workshop next month on the fanciful, emotional, and personal world of brush lettering. No experience is necessary, and it's a great opportunity to brush up (SORRY) on lettering possibilities before the holidays - think place cards, gifts, holiday cards, and more. Materials will be provided, there are a limited number of seats so I can get plenty of one on one time with each participant. I hope you'll join us!

 
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Floral Arranging Workshop with Deanna King of Strawberry Fields Flowers and Finds by Quirk Gallery

We are so thrilled to be hosting our first floral arranging workshop with Strawberry Fields Flowers and Finds! September 20th Deanna King will be teaching you how to create a beautiful arrangement with locally sourced flowers and lush greenery. Each attendee will construct their own bouquet in a handmade pink vessel by Mary Hooper. Workshop fee includes instruction as well as all materials and no experience is necessary. Sign up by calling the gallery at 804 340 6036. Limited spots are available!

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Here is a little information about Deanna King, owner of Strawberry Fields Flowers and Finds and the instructor for this floral arranging workshop!

I was born and raised in Rochester, New York. My dream of owning a flower shop began in my youth. I have always loved flowers & plants- pretty things! My experience working at Bauman’s Farm Market & Greenhouse really sparked my passion for floral design. I attended VCU and became a teacher for ten years. I was given the opportunity to buy Strawberry Fields from the previous owners, who I had actually worked for during the summer. My husband was extremely supportive of this venture and here I am ten years later. Having my shop, Strawberry Fields Flowers & Finds, has given me the opportunity to infuse my passion for floral design into the Richmond community & make my dreams come true.

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We asked Deanna a few questions about the workshop and floral arranging in September!

Quirk Gallery: What will be the style for this floral arranging workshop?

Deanna King: Loose, airy, gardenesque, picked from the field.

Where does Strawberry Fields source their flowers? (We are so excited to use locally sourced flowers and greenery for the workshop!)

We source our flowers from several local flower flowers including Wind Haven Farm in Topping, VA, Prospect Hill Farm in Bumpass, VA, Essex Farm in Tappahannock, VA and Burst and Bloom in Powhatan, VA.

Can you give us a few tips for floral arranging at home?

1. Always keep your vase and water clean; the flowers will last so much longer if you change the water every few days, clean the vase, and re-cut your stems.

2. Keep your flowers in a cool place, not near a heater or the direct sun.

3. Criss cross your stems while arranging to keep your flowers in place.

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In contrast to the blooms in Spring and Summer, what are your staples for floral arrangements in September?  

In September we commonly use more fall colors, berries, veggies, etc. Items such as dahlia, crocosmia, ornamental cabbage, artichiokes, thistle coxcomb, etc.

 An arrangement featuring artichoke, cabbage, bittersweet, dahlias among others.

An arrangement featuring artichoke, cabbage, bittersweet, dahlias among others.

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Make sure to sign up for Pretty In Pink by stopping into the gallery or calling us! 804 340 6036

Wednesday, September 20th  I   5 PM - 6 PM

$75 per participant includes 1 hour of instruction from Deanna King, locally sourced flowers and greenery, and a vessel for your arrangement handmade by Mary Hooper. 

 

 

 

 


 

BEAT THE HEAT by Quirk Gallery

Hard to believe this summer's more than halfway over! Here are some of the tunes we haven't been able to stop listening to. We suggest this as the score for your next indoor/air-conditioned dance party or hangout sesh.

Follow us on Spotify for more playlists. Keep an eye on our Instagram, Facebook and Twitter for music updates! 

NASTASSJA SWIFT OF D FOR DOLLS by Quirk Gallery

Nastassja Swift will be joining us July 29th for a Felting Workshop! Nastassja is a VCUarts alumni and former Quirk team member. Nastassja currently works as a visual artist and sells her handcrafted felted figures under the name D for Dolls. Nastassja sees these dolls as miniature sculptures, each doll has their own personality and is needle felted, styled and dressed with a pinch of charm and a whole lot of sass. We sat down with Nastassja and talked about her practice and the upcoming workshop!

Quirk Gallery: Can you tell us a little about yourself?

Nastassja Swift: I am a visual artist and lover of these little people I call dolls. I’ve been painting for the past eight or nine years, and I’ve kind of placed that medium aside and have really been focusing on wool as my primary medium and needle felting as my go to process. I began making dolls during my junior year at VCU and they’ve stuck with me ever since. There’s just something about the personality, sass and individuality that is present within these little ladies that I’m very much drawn to. It literally puts a smile on my face with each completed doll and seeing who they become. This past summer, I decided to push my dolls as more than just these little objects that I make every once and a while, and really give them a platform to exist on their own, separate from the more conceptual work I was working on. From that decision and desire to give my dolls more, D for Dolls was born.

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  Jo   I  wool, woven cotton, clay  I  dfordolls

Jo  I  wool, woven cotton, clay  I  dfordolls

  Iman   I    wool, woven cotton, clay I   dfordolls

Iman I  wool, woven cotton, clay I dfordolls

Quirk Gallery: Your workshop with us will focus on felting, when did felting become an important part of your practice?

Nastassja Swift: I learned the process of needle felting my junior year at VCU. As I was stabbing this little needle into these pieces of wool, I immediately thought of dolls. Prior to that moment, I had always been extremely intimidated by the genre of sculpture as an art form. Being that my work has been figurative since the beginning of time, I used to believe that I didn’t really fit into the realm of contemporary sculpture. However, working with wool and the process of needle felting allowed me to find my way into sculpture and it felt appropriate for the kind of work I was interested in making. Felting became important because it allowed me to translate these figures from a 2D surface to a 3D space and it was something I was really excited about trying out

  Concealer  | merino wool, wire | 31" x 27" x 3" | 2016

Concealer | merino wool, wire | 31" x 27" x 3" | 2016

Quirk Gallery: Your background is in Painting and Printmaking, how does this inform your textile work (weaving, felting, etc)?

Nastassja Swift: Thinking of my paintings, I’ve always wanted to take advantage of the physicality of paints – allowing layers to build in ways where if one is viewing my paintings in person, you can actually see the ridges and slips that occur on the surface. In regards to my fear of sculpture mentioned in the previous question, I would always tell myself,  I’m still a bit of a sculptor, just on canvas. And that tactile quality that I felt I needed within my paintings definitely informed my decision to take on a medium such as wool in my practice. But aside from surface and texture – color is just as important with comparing the mediums. I’ve always been told that whether it was a weaving, embroidery or something felted my fiber work feels like my paintings- and I think that has everything to do with color. My paintings have always been pretty saturated and that has directly made its way into my color combinations of wool and yarn.

  Being Seen  | oil on canvas | 42 x 30 inches | 2015

Being Seen | oil on canvas | 42 x 30 inches | 2015

  I Unpacked While They Played With Their Dolls  | wool, clay, cotton, wire, acrylic paint | 21 x 13 x 4 inches | 2016

I Unpacked While They Played With Their Dolls | wool, clay, cotton, wire, acrylic paint | 21 x 13 x 4 inches | 2016

Quirk Gallery: Throughout college you started the online gallery, Mist Gallery, with Lizzy Servito, what is the current status of Mist and how has it evolved since it began?

Nastassja Swift: Mist Gallery started off as this crazy idea Lizzy and I had the summer before our senior year. At the time, I don’t think we really knew what we were getting ourselves into. We were just extremely eager to take on this new venture, but very much excited to be able to give ourselves the professional title of “Gallery Directors”. From developing contracts, curating artists’ work, maintaining a blog, designing the website, establishing a presence on social media platforms – we have definitely been able to experience some of what it means to be involved behind the scenes of an exhibition. The list of artists we’ve worked with has grown tremendously, and the Gallery has become something that people actually look forward to being a part of.

As of now, we’re taking a bit of break to explore other opportunities, however Mist is still very much alive and I’m anxious to see where and how it exists in the next few years.

Quirk Gallery: After graduating from VCUarts you’ve had many amazing residency opportunities including Vermont School and VCUarts Qatar. What was the most beneficial part of those experiences for you?

Nastassja Swift: So I went to Vermont at the end of the summer following graduation, and literally a week later left the country for my residency in Qatar (pretty crazy stuff). I remember arriving at the Studio Center and just being really excited to be able to be making work outside of the school environment, and to have other people and other things influence my work. For the first time I felt like an artist, as opposed to the art student that I’ve been for every year up to that moment. Both experiences gave me the time and space to think about my work and really just sit with it, without the pressure of deadlines. I could breathe and really enjoy experiencing my work in a way that I hadn’t before. That time and space helped with figuring out what my work needed to do and say next, so I definitely attribute my works growth and direction to both of those residencies.

 In progress shot of  Two's A Crowd Self Portraits   |  gouache and soft pastel   |  2015  In progress work from her time at Vermont Studio Center. 

In progress shot of Two's A Crowd Self Portraits  |  gouache and soft pastel   |  2015

In progress work from her time at Vermont Studio Center. 

  Self Portraits  | woven cotton and alpaca wool, cotton, wood | 11" x 14" x 1.5" | 2015  Part of Swift's solo exhibition in VCU Qatar Gallery, Doha, Qatar, 2016. 

Self Portraits | woven cotton and alpaca wool, cotton, wood | 11" x 14" x 1.5" | 2015

Part of Swift's solo exhibition in VCU Qatar Gallery, Doha, Qatar, 2016. 

Quirk Gallery: As a former Quirk intern, we’re so happy to have you back with us teaching. What are you looking forward to bringing to Quirk at this workshop?

Nastassja Swift: I’m definitely looking forward to contributing to Quirk’s continuing conversation and support of contemporary craft. I think that’s always been something I’ve loved about the space and the work you guys show - your strong inclusion of the wide range of craft mediums. I’m so excited to return and that you all continuously welcome me back with open arms!

To sign up for her workshop and learn how to needle felt, call Quirk! 804 340 6036. You can also stop in the shop and sign up, limited spots available. 

 

If you have specific questions pertaining to the workshop you can email emily@quirkgallery.com 

KATE KOCONIS OF LITTLE BLACK SHEEP STUDIO by Quirk Gallery

Kate Koconis is the creative mind behind Little Black Sheep Studio. She makes handmade goods from her home to yours; weavings, hanging planters, pillows, blankets and more. Kate's weavings have been a staple of Quirk's store for the past year and we are so thrilled to host her for her first workshop! We sat down and talked to Kate about her life, studio and the upcoming workshop. 

Quirk Gallery: Can you tell us a little about yourself? 

Kate Koconis: I am originally from Wisconsin, and moved to the East Coast to attend school at MICA. That is where I officially learned how to weave. I grew up playing fort with my moms large rug loom, but that was the extent of my use of our family heir-‘loom’. As soon as I could, I signed up for a weaving class, and I loved it immediately.  I knew I wanted to do something with the fiber arts, but until I took that first weaving course I wasn’t sure where fibers would take me. I only stayed in school for a couple years, but I managed to take every weaving course they offered, some twice.  The rest is history, I’ve been weaving for over 10 years now. A new job for my now husband is how we made the move to Virginia 7 years ago. We bought our first house 4 years ago and I was able to finally put together the perfect studio space for myself, so I could start to grow Little Black Sheep Studio. 

Quirk Gallery: In your weavings you typically use natural materials, where do you source these materials and what is the importance of using natural vs. synthetic?

Kate Koconis: I prefer natural materials to synthetic materials, but I do use both. Depending on what I am making will determine which materials I’ll use. When I am making a scarf, blanket, or something that is going to be in contact with you, I choose materials based on how they feel and what they are made of. I use a lot of alpaca wool, sheep wool, cotton, and linen.  When I am making a wallhanging, or something that is intended to be viewed, I’ll choose materials based on what they look like. I still prefer natural materials when working on a wallhanging, and mostly use blends of cotton/nylon and wool/acrylic. The only time I use fully synthetic materials is when that material is glittery. I’ll always find some excuse to use glittery things, and there is nothing natural about glittery ribbon. My yarns are from all over. I can’t go to a craft store without walking out with an armful of yarns. I’ve found yarn in antique stores, and flea markets before. I also use online sources like Etsy and WEBS, if I find a yarn and I like it, I’ll scoop as much of it up as I can. 

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Quirk Gallery: Where did your use of traditional weaving techniques come from? 

Kate Koconis: I use traditional weaving techniques because I don’t think there is any other way to weave. Even with the big computerized looms in factories the general concept is the same, it’s just a computer doing the thinking instead of a human. I think it is important to remember the skills/crafts of our past, and to not forget that we can make things with our two hands that are just as good, if not better, than a big computerized machine.  One of my favorite things is when I surprise someone when I say everything in my store I made by hand. We live in a world now where the hand craft is being forgotten as a valuable skill. There is a shift happening where more and more things are becoming mechanized, and I don’t want to see these incredible skills we have be lost. There has been a definite growth in the handmade community more recently, and my hope is that it continues to grow.  

Quirk Gallery: Can you talk about the value of a handmade object and the relationship between you, the maker, and the customer who brings this piece into their home?

Kate Koconis: Handmade to me means quality. I think when most people hear the words “craft fair” they don’t necessarily think quality goods. I want to change that thinking. When you buy something that is handmade, you are getting so much more than just that item. Hand making something takes longer and usually is harder to do, but you can see the time, energy, and care someone took to make it. I get so much joy out of making, and I get even more joy when I see someone fall in love with something I’ve made. Everything I make has a memory and joy attached to it and I hope that joy goes home with the item. I think there is more care and planning on the customers side also when choosing something handmade. Obviously I want customers to buy from me, but I want those customers to feel good about their purchase, and be excited to get it home and display it. 

Quirk Gallery: You incorporate succulents and air plants into hanging planters, nests and even hanging weavings. Why create spaces for these plants in your weavings?

Kate Koconis: Adding plants to my work was an of course kind of moment. I have always loved gardening, and farming, and plants in general, and it just seemed all too perfect to add them into my collection. I love being outside and being in nature. There is a calm and ease of being when surrounded by nature. I think it is important to bring some of that ease of nature into the home. I like to create peaceful cozy environments, and adding plants to the equation seemed like a no brainer. Plus I have a slight plant obsession. 

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Quirk Gallery: This will be your first workshop teaching weaving, what inspired you to share your process?

Kate Koconis: Wanting to share my craft with others goes back to this feeling I have of it dying away. The more people I can get interested in weaving the better the chance it has to stay alive. Even if all you’re doing with it is using it as a relaxation tool on a Wednesday night after a bad day. Or making gifts for your family. Or even if you love it so much you choose to turn it into a business, all of these options are keeping weaving going and not just in the history books. 

 

     

 

 

Thankfully we have had such a lovely response to Kate's workshop that both dates have sold out! If you were interested in attending this workshop but were not able to secure a spot, sign up for our mailing list to get updates about future workshops! If you are interested in purchasing one of Kate's weaving, stop by the shop to see her beautiful pieces. 

There are still spots available for our July workshop, Felting Workshop with Nastassja Swift.